Following the successful debut of Three Mozartiers: 19-21 in 2024, Atlas Ensemble will continue No. 22-24 with international renowned pianists, Colleen Lee & Rachel Cheung, who have made their marks on world’s stages since their successes at the Chopin, Leeds, and Van Cliburn International Piano Competition. 

Two evenings of the complete Beethoven Piano Concertos in April. FIVE Beethovens opens with the exuberance by pianist Hui Ling on the first concerto in C, while the delightful No. 2 in B-flat by Dr. Cheng Wai. The adamant No. 3 in C minor will be served by Prof. Mo Cheung-Yu while the spiritual No. 4 in G Major mastered by Prof. Chang Tao. Only the “Emperor” in E-flat eventually led by play-conductor KaJeng.

Legendary Jazz musician Eugene Pao returns to Hong Kong City Hall after Ted Lo: Tribute to JAZZ to present an important milestone production, paying tributes to the heroes of his musical career. Eugene Pao: TRIBUTES continues his legacy of decades in excellence and personal craft.

A decade since Tribute to Death was once played in 2014. A personal project devoted to the remembrance of KaJeng’s grandmother. The concert is built from Liszt’s Pensee des morts and the Sonata in B, before Shostakovich’s Prelude and Fugue in D minor and Faure’s Requiem, transcribed for piano solo.

Following the successful debut of Three Mozartiers: 19-21 in 2024 and 22-24 in 2025, Atlas Ensemble will tour in Shanghai MISA Festival with two rising star pianists, Jiaxin Min & Magdalene Ho, who have made their marks on world’s stages since their successes at the Queen Elisabeth International Piano Competition and the Van Cliburn International Piano Competition. 

A four-concert series devoted to half of the pilgrimage by Beethoven. Three most respected pianists of Hong Kong, Nancy Loo, Hui Ling and Chang Tao begin this four-part journey by the last three sonatas, Op.109, Op. 110, Op.111.

Second installment of the four-part series devoted to Beethoven’s sonatas, Rachel Cheung will perform the majestic and diverse Op. 101, preceded by Cheng Wai undertaking of the Op. 90 sonata. Before the “Hammerklavier” sonata played by KaJeng Wong.